Chicken & Egg Films announces the participants selected for the 2026 (Egg)celerator Lab as well as the relocation of its ...

Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Spotify. And if you’re ...

Surprise victories for Hamnet, The Secret Agent, and If I Had Legs I’d Kick You scrambled the race—in a good way.

Carolyn Michelle is an actress, producer, educator, and entrepreneur. Her credits include: Brilliant Minds, And Just Like ...

In 2017, for the 25th anniversary of Filmmaker, we commissioned a radical redesign and also initiated a new upfront section: ...

The Big Sky Documentary Film Festival announces the lineup for its 23rd annual incarnation today, and Filmmaker has an ...

Netflix’s ever-shifting catalog is subject to sudden deletions and additions, the latter skewed far more to recent fare than a balanced sampling of all film history. Still, careful mining reveals a ...

For the first time since 2002’s Punch-Drunk Love, Paul Thomas Anderson has made a movie with a contemporary setting. To do so, he used a film format dormant for the last half century.

Last fall, desiring information to aid our own filmmaking careers, we launched an experiment to see whether we could obtain hard data on independent film revenue. Having experienced firsthand how ...

In the latest Marvel Cinematic Universe entry Thunderbolts*, a reluctant squad of antiheroes team up to save New York City. Behind the scenes, another superteam comprised of A24 alumni joined forces.

With Jim Jarmusch’s Ghost Dog: The Way of the Samurai newly released by Criterion Collection today, Filmmaker is publishing online for the first time Peter Bowen’s interview with Jarmusch and actor ...

With the 63rd edition of the New York Film Festival kicking off tomorrow (Luca Guadagnino’s After the Hunt is the Opening Night Film), we at Filmmaker offer a list of 20 recommendations, the majority ...